Peter Eudenbach

peudenbach@earthlink.net

Born 1965 in Newport, Rhode Island
Lives & works in Norfolk, Virginia
Associate Professor of Art at Old Dominion University


EDUCATION:

M.F.A., Sculpture, The Ohio State University, Columbus, OH 1995

B.F.A., Sculpture, Massachusetts College of Art, Boston, MA 1991

B.A., Humanities, Providence College, Providence, RI 1987

Certificate of Landscape Architecture, Graduate School of Design,
Harvard University, Cambridge, MA 1990


SOLO EXHIBITIONS:

Cause and Effect, Taubman Museum of Art, Roanoke, VA 2009
Curated by David Brown

Videos und Objekten
, Kunstverein Grafschaft Bentheim, Neuenhaus, Germany 2009
Curated by Gudrun Thiessen-Schneider

Pneumatic Lens, Contemporary Arts Center of Virginia, Virginia Beach, VA 2007
Curated by Ragan Cole-Cunningham

Recent Work, Selden Gallery, Norfolk, VA 2007

A Sense of Place, Rawls Museum, Courtland, VA 2005

Transformative Intuitions, Sarah Bowen Gallery, Brooklyn, NY 2005


SELECTED GROUP EXHIBITIONS:

Sky Was Yellow, Sun Was Blue, Russell/Projects, Richmond, VA 2010

No Seriously: Humor and Happiness in Contemporary Art, Space 301, Mobile, AL 2009
Curated by Jason Guynes

The Building Show,
Exit Art, New York, NY 2007

Ultimate Destination,
Dumbo Arts Fesitval, Brooklyn, NY 2006
Curated by Martina Batan, in collaboration with The City Reliquary
Installation of my doorstop collection

Slow Revolution, The Rotunda Gallery, Brooklyn 2006
Curated by Patrick Grenier.

Socrates Sculpture Park at the Armory Show,
International Fair of New Art, New York, NY  2006

The Capture of the Temporal: New Works in Photography and Video,
Turchin Center for the Visual Arts, Boone, NC 2005

Painting Over the Sofa, Courthouse Galleries, Portsmouth, VA 2004

View, Socrates Sculpture Park, Long Island City, NY 2002

Rapture, Massachusetts College of Art, Boston, MA 2000
Group show commemorating the turn of the Millennium. (catalog)

Small Works, Washington Square Galleries, NYU, New York, NY 1998

No England/No Amsterdam, Real Art Ways, Hartford,CT 1997

Projects '97, Islip Art Museum, East Islip, NY 1997
Video installation in a defunct water tower.


OTHER SELECTED VENUES & SCREENINGS:

The Window on Broad, Rosenwald Wolf Gallery, University of the Arts, Philadelphia, PA 2009

At Play, Federation Square, Melbourne, Australia, 2008
Curated by Michelle Kasprzak under the auspices of Federation Square
and the International Urban Screens Association

New Media Festival 2007, Hardcore Art Contemporary Space, Miami, FL 2007
Curated by Milagros Bello, in collaboration with guest curators
Jocelyn Adele Gonzalez-Junco, Andreina Fuentes, and Marcela Romer

Transmedia :29:59, Toronto, Canada 2006

Racines d'Origine, Strasbourg, France, 2006
Screening at the Musee d'Art Modern et Contemporain de Strasbourg
Curated by Charles Eric Billard and Emma Gazaro

Interactive Dialogues, Nisus Galeria-Galou, Brooklyn, NY 2004

Tensecondfilms.com, 2003

Ocularis, Brooklyn, NY 2002

Tugboat Film Festival, New York, NY Summer 2002

The Video Lounge, New York, NY 2002

Ars Electronica Festival, Linz, Austria, September 2001
Appearing under the auspices of Streaming Cinema

The Bitscreen.com 2001



FELLOWSHIPS:

Virginia Museum of Fine Arts Fellowship, Richmond, VA 2007-08

Vermont Studio Center, Johnson, VT 2000, 2003

Bemis Center for Contemporary Arts, Omaha, NE 1998


BIBLIOGRAPHY:

Rasche, Stefan, Wolleck, Elisabeth, Thiessen-Schneider, Gudrun,
Peter Eudenbach, Catalog, Kunstvereien Grafschaft Bentheim, Neuenhaus, Germany

Erickson, Mark, "Photos are Mind Bending" Daily Press, October 21, 2007

DiJulio, Betsy, "Waxing Minimalistic" Portfolio Weekly, March 20, 2007

Herrera, Adrianna, "Fiesta de cierre del Festival de Video en galer’a Hardcore"
El Nuevo Herald, September 16, 2006

Schmerler, Sarah, "Slow Revolution" Time Out New York, May 11-17, 2006

Ferrandi, George, "The Intuitive Target" NY Arts Magazine, Vol. 10, No.5/6 May/June 2005

Temin, Christine, "Assorted Artists Capture 'Rapture'" The Boston Globe, 2/2/00

Harrison, Helen, "Studies in Tone on Tone" The New York Times, 8/31/97